Posts Tagged ‘vampire’

Ah! The episode I’ve been waiting for opens with Vanessa penning a letter to Mina. “I write in hope that one day things will be as they once were, though I know that can never be.”

She looks up and as her gaze turns faraway, we are taken back in time to a young Vanessa frolicking on the beach with Mina. The two girls hold hands, both dressed in angelic white, as their ribboned hair flows behind them. “I don’t remember any clouds when we were young. Were there any?” an adult Vanessa wonders as the scene plays out. “Were they on the horizon or was it all seashores and sandcastles? Such thoughts seem naive, but aren’t all memories?”

Later, the two friends are over at Mina’s house where they discuss the kind of men they wish to marry. Mina teases Vanessa that everyone expects her to marry her brother, Peter. The boy looks up and informs them both that he will be joining his and Mina’s father (Sir Malcolm) on his expeditions. That he won’t be spending his life stuffing monkeys and other animals as he is just then. Vanessa goes over to him and insists that he must name everything so they come alive. “Like a witch’s spell.”

Sir Malcolm arrives home and while lavishing much attention on his daughter, and also toward Vanessa whom he obviously also feels fatherly affections for, he offers little affection to his son, except to give him a present. As Peter watches the way his father interacts with the two girls, it leaves little wonder why it is so important for him to become an explorer like his father and join him on his adventures.

sir malcolm and teh girls

Years pass and Vanessa depicts the friendship between the two families, and the many dinners they spent together. Yet, “If I had been older I would have seen more beneath the laughter.”

After one such get-together, Vanessa strolls through a hedge maze upon the Murray’s estate. Certain she is going to come across Mina and her beau, she instead encounters her mother with Sir Malcolm. “More than the forbidden and the sinfulness, there was this…I enjoyed it. Something whispered. I listened.”

vanessa watching her mother
Vanessa runs to her room to pray. “Perhaps it had always been there. This thing, this demon inside me. Or behind my back waiting for me to turn around.” She swivels her head to glimpse her face in the mirror.

Jealous that her best friend is going to be married while Peter rejects her own advances as he is still determined to go away to Africa, she sneaks downstairs and meeting upon Mina’s fiance, comes on to the man, and they are soon all over each other. An almost hypnotized Vanessa (whether her eyes are glazed from sexual delight or from demonic possession or just shock at what she is doing is not quite clear) but she quickly sombers when Mina appears in view.

All goes to hell, and while Mina’s pareents attempt to console her, Vanessa tries to flee. She is stopped by her mohter who insists she goes back upstairs and try to make amends. Vanessa counters that her mother should go upstairs and beg her own husband’s forgiveness. Starteld that her daughter knew about the affair, Mrs Ives lets her daughter go. But Vanessa only runs so far before she falls hopelessly to the ground.

In an asylum, Vanessa suffers horrific “water treatments”, as well as having her hair shorn  before being forced to undergo brain surgery.

vanessa in hospital

Once released, the now almost camatose young woman is being tended to by her mother. Peter comes to say goodbye before leaving.  Vanessa wakes up as he leans over her. “You should have kissed me then. Kiss me now.” After he tenderly does so, she informs him he is going to die in Africa. The disturbed man quickly leaves, perhaps sensing his old friend is correct about his fate.

Once alone again, Vanessa gazes toward her mirror and this time sees the figure she always felt around her. “You are not Sir Malcolm,” she insists although the creature has taken his form. Realizing it is the devil, she tries to rebuke his advances but he assures her that she has always had choices and everything that has happened has been her doing.

“Darkling I listen; and, for many a time / I have been half in love with easeful Death / Call’d him soft names in many a mused rhyme, / To take into the air my quiet breath,” he recites from Keat’s “Ode to a Nightingale”.

Soon the two are enthroed in a passionate embrace.

Hearing noises coming from upstairs, Mrs. Ives hurries up to find her solo daughter, naked and writhering upon the bed, her eyes mad. Unable to take the shock, she dies of a heart attack.

A mournful Vanessa comes across Mina on the same beach they used to play together. Her best friend informs her that she has been forgiven because Mina realizes how much she has suffered.  Mina also goes on to say she is now married to a good man named Mr. Harker. But when she continues on, uttering things she could not possibly know, Vanessa realizes something is terribly wrong. As Mina’s face transforms to that of a vampire, she begs Vanessa to save her from the master.

Mina and Vanessa on beach

Determined to set things right, Vanessa goes to Sir Malcom’s and informs him they must save his daughter.

final thoughts: Definitely my fave episode thus far, and last week’s had already been an improvement. Everything which failed in the Frankenstein flashback, excelled here. Eva Green is always enchanting on the screen, but never moreso than when going feral. The interplay between she and Sir Malcolm, the history of how they have bonded together to save Mina despite the hurt they have caused each other is duly felt and understandable.

favorite line: “He loves you enough to save you. But I love you in a different way. I love you enough to kill you.”

original title:  La noche de Walpurgis (1971)

Werewolf Versus Vampire Woman- ad

With a title such as, Werewolf Versus the Vampire Woman, how could a lady such as I resist?   The sound of it alone brought me back to the little kid watching Creature Double Feature on Saturday afternoons.   Not to mention the slew of John Sinclair horror pulp novellas  which reside in this apartment.

Is this a great piece of filmmaking?  A masterpiece of cinematic technique?  Hardly.  It is unabashadly a B- film from the cheap sets,  silly dialogue, acting that seesaws between stilted and melodramtic, and heaving bosoms.  Don’t watch expecting a Psycho, Exorcist, Black Sunday, Suspiria, The Haunting, or anything of that ilk.   That said, I don’t judge any film or book in comparion to others.   One of my main tenants in critique is, did it do what it set out to do?

If director Leon Klimovsky and script writers, Paul Naschy and Hans Munkel, wished to entertain me, they succeeded.

Starring Naschy as Waldemar Daninsky and Gaby Fuchs as Elvira, this is a fun romp from the moment Elvira (with gal pal, Genevieve in tow) goes off to research the legend of a Countess Wandessa, rumored to have been a Hungarian vampire in the eleventh century.   As a writer of the occult, Elvira can hardly resist the story of a woman who practiced all methods of dark magic.  Of how members of the Inquisition tried to arrest her, but all who opposed her ended up dead.  Of a woman who preserved her beauty by drinking the blood of virgins.  Of how she was finally killed by her own lover who stabbed her in the chest.

the-werewolf-vs-the-vampire-woman

Naturally, fate sees it that the women get lost, while also running low on gasoline.  The droll Genevieve (Barbara Capell), jokes maybe Count Dracula will appear, and surely he will invite them to spend the night at his castle.    Elvira jocularly tells her to shut up.  However, her humor disipates when they do reach a run down castle where a Count Waldemar does indeed invite them to stay, as long as they wish.  From the start, she is suspicious of the oddness of the man, and his surroundings.   “This man has been lying to us all this time.  Have you noticed how the table was set?  Only a woman has that eye for attention.”

After listing all the weird things she’s noticed, Genevieve retorts by granting them all rational explanations.    Again she jokes of the undead.  “No vampire is going to suck your blood.”

Oh, dear.  Then you shouldn’t disturb graves of reputed Vampirin.

Perhaps it is this interest in vampires, that incites the risen Countess  to lure the woman into her coven.

wolfman vs vamp woman

When the turned Genevieve tries to seduce Elvira into joining them, “I’m so happy.  It’s beautiful,”- Elvira is left to try to rescue her friend, as well as help the hairy Count destroy the vampiric witch once again.

wolfman vs vampire woman 3