Posts Tagged ‘sir malcolm’

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from the Bohemian Gothic Tarot:  “Mourning and grief.  Sorrow and regret.  A psychological breakdown.  Feeling desolated.  Hitting an extreme low- but from here, things should get better.  Darker meaning: Anxieties about death. Coming to terms with a tragic event.”

Eva Green as Vanessa Ives in Penny Dreadful (season 1, episode 5). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_105_0418

Eva Green as Vanessa Ives in Penny Dreadful, Closer than Sisters

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from the Bohemian Gothic Tarot: “Weighed down by too much work.  Being burdened by too many responsibilities.   Darker Meaning: Trying to do far more than you should.  Feeling burdened by your sins and misdemeanors.”

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Sembene from Penny Dreadful

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from the Bohemian Gothic Tarot: “Being thankful and happy about the simple pleasures in life.  Enjoying your family and domestic life.   Darker meaning: A dysfunctional family.  A claustrophobic, oppressive aspect to your family life.  A child (or inner child) that is not being well cared for, this could be physical or psychological.”

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Vanessa, Mina, and Peter as children with Sir Malcolm in Penny Dreadful

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from the Bohemian Gothic Tarot: “Prosperity. Feeling content on the whole, but there’s a hint of a feeling that you’ve missed out on some of the magic in life.  Choosing material comfort over more spiritual or mystical pursuits.  Darker meaning: Willing to steep low for some material gain.”

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Dorian Gray from Penny Dreadful

 

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This week’s ep begins shortly after the final events of “What Death Can Join Together”. And just as that episode ended with Miss Ives levitating toward the ceiling- this is indeed a Vanessa-cenric episode.

She lies resting upon Sir Malcom’s sofa. “To be beautiful is to be almost dead.” She muses of how women are portrayed- pale and ethereal in the throes of death. “Men circulate such pictures and pleasure themselves.”

Sir Malcolm, understandably uncomfortable with such subject matter, interupts to ask if she remembers anything. She doesn’t, but is more concerned about who dressed her. It was he, Sir Malcolm admits. “Just like when I was a little girl.” She beams and for one moment a childlike joy sweeps over her face; but just as quickly it is painted over by a new darkness. “But you didn’t dress me as a little girl. So silly of me. You weren’t there to dress me. You were away on some trek.”

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“Mina?” He leans forward.

She sits up. “Somewhat.” And as she sips the tea at her side, she berates him on  how he treated her mother. “You could have at least attended her funeral for decency’s sake.” And then as he listens in horror, she spits out how he was too busy going from village to village taking women and convincing himself that they wanted him. If this is true, and there’s no reason to believe it is not as all her demonic outbursts have hit bulls-eye, then this reveals a much, much uglier truth about the African explorer.

As “Mina” continues to hurl revelations toward him, the room becomes an inferno of flying papers, utenils, dishes, furniture… which is only stopped when Sembene rushes in and slaps her unconscious.

Locked in her room she is visited by Dr. Frankenstein who wishes to examine her. “May I listen to your heart?”

“Such as it is.”

“Your hands are trembling. Are you afraid?”

“Yes, but not of you.”

“Do you know a greater demon?” She teases. “Tell me about him. Or should I tell you?”

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Another man perturbed that she can see through him like glass, the Doctor rushes downstairs where he informs Sir Malcolm that he believes her troubles stem from sexual guilt. Before he can discuss possible treatments, he jumps back as bugs crawl all over the tarot deck she had left on the table. They stream across the shiny surface onto the floor- hundreds, countless numbers of them. . Chandler, who’d been invited over, arrives just then, and as Miss Ives lets out a blood curdling scream, the men rush upstairs to find her sitting on the floor, rocking back and forth, her wet hair lying lank against her gray cheeks.

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Vanessa awakens and is told by Chandler that she has been asleep for almost a week. She asks him for a sip of water, and as they are alone, promises that she will not hurt him.

“It gets pretty rough at itmes.” He admits the doctor wanted to restrain her.

“He would.” She sinks onto her pillow while sighing that he can’t understand what it’s like to have that thing inside of you. “…like an animal…scratching to get out.”

Oh, Vanessa…I think he can…

After admitting she might have been able to fall in love with him, she makes him promise to kill her if such a time should come. “I want you to look into my eyes and pull the trigger.”

The lady is just as philosophical about facing her own death as she is in Mina’s.  Just as she loves her old friend enough to kill her, she would want someone to set her free as well.

“So you can go to heaven.”

“If you beleive in it.”

“I do. But I believe in the other place more. Cause I know that place pretty well. You might say it was where I was fllung when your fucking cunt of a God kicked me out.” Now it is Vanessa’s turn to recoil in shock. And may I confess the writers got me here too.

“You don’t recognize your old friend, Vanessa?”

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She declares the day will never come that she will surrender to him. But ah, he has ways to convince her. After all, there’s a bunch of people downstairs to kill if she continues to rebuke his advances.

“What do you want from me?”

“I want you to be the mother fo all evil. I want you to rule the darkness with me.” Now this line could have been very cheesy, but delivered in quiet tones and a tender manner, Josh Hartnett elevates it to something much higher, and I’m becoming more and more impressed with his acting.

“And we will conquer God and throw him from his bloody throne.” He promises as they kiss.

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While Frankenstein is haunted by Caliban lurking outside, Chandler and Sir Malcolm argue over how to care for Vanessa. Ultimately a priest is called in, but it is Chandler who ends up saving Vanessa who awakens to reveal she knows exactly where to find Mina.

Bring on the finale!

final thoghts- As stated previously, I haven’t looked forward to what I feel will be an inevitable romantic pairing of Chandler and Vanessa as I’m utterly sick of this idea that main characters *must* end up together for no other reason than they are the leads. But in this ep, Josh and Eva showcased not only great acting together in their scenes, but that vital chemistry.

Even though it was The Devil disguised as Chandler, I’m still pretty certain that the mention of “scratching” and “animals” was another hint about the American gunslinger’s secret.

After Chandler reappears downstairs- is that truly him or still the Devil? It was difficult at times to tell as he conversed with the other players, confronting them on their pasts.  At whatever point he did become our Chandler again, wouldn’t he have realized he lost time?

How did Chandler learn to expunge the Devil from within a person? If he is a werewolf, did he learn the rite in hopes that it might cure him?

While he was always solid, I did feel Hartnett was the weak link in the cast at first.  Am very happy to see him proving me wrong.

Eva Green continues to amaze.

And the biggest question of the night:  Did Vanessa and the Devil have sex?

Ah! The episode I’ve been waiting for opens with Vanessa penning a letter to Mina. “I write in hope that one day things will be as they once were, though I know that can never be.”

She looks up and as her gaze turns faraway, we are taken back in time to a young Vanessa frolicking on the beach with Mina. The two girls hold hands, both dressed in angelic white, as their ribboned hair flows behind them. “I don’t remember any clouds when we were young. Were there any?” an adult Vanessa wonders as the scene plays out. “Were they on the horizon or was it all seashores and sandcastles? Such thoughts seem naive, but aren’t all memories?”

Later, the two friends are over at Mina’s house where they discuss the kind of men they wish to marry. Mina teases Vanessa that everyone expects her to marry her brother, Peter. The boy looks up and informs them both that he will be joining his and Mina’s father (Sir Malcolm) on his expeditions. That he won’t be spending his life stuffing monkeys and other animals as he is just then. Vanessa goes over to him and insists that he must name everything so they come alive. “Like a witch’s spell.”

Sir Malcolm arrives home and while lavishing much attention on his daughter, and also toward Vanessa whom he obviously also feels fatherly affections for, he offers little affection to his son, except to give him a present. As Peter watches the way his father interacts with the two girls, it leaves little wonder why it is so important for him to become an explorer like his father and join him on his adventures.

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Years pass and Vanessa depicts the friendship between the two families, and the many dinners they spent together. Yet, “If I had been older I would have seen more beneath the laughter.”

After one such get-together, Vanessa strolls through a hedge maze upon the Murray’s estate. Certain she is going to come across Mina and her beau, she instead encounters her mother with Sir Malcolm. “More than the forbidden and the sinfulness, there was this…I enjoyed it. Something whispered. I listened.”

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Vanessa runs to her room to pray. “Perhaps it had always been there. This thing, this demon inside me. Or behind my back waiting for me to turn around.” She swivels her head to glimpse her face in the mirror.

Jealous that her best friend is going to be married while Peter rejects her own advances as he is still determined to go away to Africa, she sneaks downstairs and meeting upon Mina’s fiance, comes on to the man, and they are soon all over each other. An almost hypnotized Vanessa (whether her eyes are glazed from sexual delight or from demonic possession or just shock at what she is doing is not quite clear) but she quickly sombers when Mina appears in view.

All goes to hell, and while Mina’s pareents attempt to console her, Vanessa tries to flee. She is stopped by her mohter who insists she goes back upstairs and try to make amends. Vanessa counters that her mother should go upstairs and beg her own husband’s forgiveness. Starteld that her daughter knew about the affair, Mrs Ives lets her daughter go. But Vanessa only runs so far before she falls hopelessly to the ground.

In an asylum, Vanessa suffers horrific “water treatments”, as well as having her hair shorn  before being forced to undergo brain surgery.

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Once released, the now almost camatose young woman is being tended to by her mother. Peter comes to say goodbye before leaving.  Vanessa wakes up as he leans over her. “You should have kissed me then. Kiss me now.” After he tenderly does so, she informs him he is going to die in Africa. The disturbed man quickly leaves, perhaps sensing his old friend is correct about his fate.

Once alone again, Vanessa gazes toward her mirror and this time sees the figure she always felt around her. “You are not Sir Malcolm,” she insists although the creature has taken his form. Realizing it is the devil, she tries to rebuke his advances but he assures her that she has always had choices and everything that has happened has been her doing.

“Darkling I listen; and, for many a time / I have been half in love with easeful Death / Call’d him soft names in many a mused rhyme, / To take into the air my quiet breath,” he recites from Keat’s “Ode to a Nightingale”.

Soon the two are enthroed in a passionate embrace.

Hearing noises coming from upstairs, Mrs. Ives hurries up to find her solo daughter, naked and writhering upon the bed, her eyes mad. Unable to take the shock, she dies of a heart attack.

A mournful Vanessa comes across Mina on the same beach they used to play together. Her best friend informs her that she has been forgiven because Mina realizes how much she has suffered.  Mina also goes on to say she is now married to a good man named Mr. Harker. But when she continues on, uttering things she could not possibly know, Vanessa realizes something is terribly wrong. As Mina’s face transforms to that of a vampire, she begs Vanessa to save her from the master.

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Determined to set things right, Vanessa goes to Sir Malcom’s and informs him they must save his daughter.

final thoughts: Definitely my fave episode thus far, and last week’s had already been an improvement. Everything which failed in the Frankenstein flashback, excelled here. Eva Green is always enchanting on the screen, but never moreso than when going feral. The interplay between she and Sir Malcolm, the history of how they have bonded together to save Mina despite the hurt they have caused each other is duly felt and understandable.

favorite line: “He loves you enough to save you. But I love you in a different way. I love you enough to kill you.”