Posts Tagged ‘devil’

“And then?”
“They burnt her alive.” The fourth episode of the sophmore season begins as Vanessa finishes the tale she began in last week’s, The Nightcomers. However, now Dr.Frankenstein, Sembene, Ferdinand Lyle, and Sir Malcolm have joined the previous solo-audience of Ethan.
“We have to find out what these things are,” Ethan not-so-sagely concludes.
“Yes. They’re witches. Understood,” Dr. Frankenstein interrupts. Since Penny Dreadful may be accused of taking itself a bit too seriously from time to time, this moment of very subtle, natural humor was much appreciated.

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“Witchcraft has a long history in many cultures, Doctor,” the dandyish Ferdinand Lyle puts in, making one wonder if he is trying to throw them a hint, as he can’t be pleased being under the control of Miss Poole.

As the group gathers around the table to continue trying to put together the pieces of artifacts they have gathered, Ferdinand tells them, “It is not so much a language as a collection of known languages. Old languages forming new patterns.”
“Found us to be evil angels so He cast us out,” Ethan deciphers with his knowledge of Latin.
“It is not just a story,” Ferdinand nods. “It is an autobiography. The memoirs of the devil.”

After the group disperses, Vanessa returns to the foyer to find Sembene sitting on the stairs. “Watching those things that hunt at night. Lions.”

She turns from him and wanders away.

Night. Bartholomew Rusk begins to investigate the murder of the couple whose baby was kidnapped by Hecate.
“We’ve been going about this all wrong,” he realizes. “We’re pursuing patterns of logic when the answer lies elsewhere.” In magic.

Meanwhile, Oscar Putney continues plans for his freak show. Down in his cellar, John Clare and Lavinia get to know each other while studying the masks.
“Father’s murderers. All those figures screaming in his new crime scenes. Ah, Mr. Clare, it hurts me to create them. Like I’m bringing them to life and then torturing them. Like some sort of terrible African Voodoo doll.” Of which the now-changing Clare reveals he no longer believe life is all about suffering.
Indeed, she agrees, “there is hope for you, anyway.”

Outside, the newsman waves his papers. “All murders on the underground. Read about it!” Ethan grabs a copy while being watched by the three witches. And then a certain Hecate makes her move:

chandler-and-hecate

Elsewhere in London-

“Honestly, Doctor, this is the last thing I expected.” Vanessa laughs as she assists good ol’ Frankenstein as he clothes shops for his “cousin”, Lily.

Hecate (she claimes named by her classics-loving parents, and holding a degree in botany) flirts with Ethan and thinks she has him enthralled until he accuses her of being sent to spy on him by his father.

Gray takes Angelique out for a night at the Gossima Parlour.
“Electrical lights,” she laughs. “What it does to a girl’s complexion.”
“Shall we keep score?” Gray asks as they settle to play a game of table-tennis.
“Why else live?” The other arches a brow.

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“He could smell me,” Hecate later explains to her mother on why she could not hook Ethan.

“Then we shall fight him tooth for claw. I’ll prepare the enchantment for tonight.”

Back at the loft:
penny dreadful evil spirits frankenstein and lily

“So women wear corsets so they don’t over-exert themselves.” -Lily to Frankenstein.
“Yes.”
“What would happen if they did?”
“They would take over the world.”

As the two flirt over the issue of gender equality,back at the mansion Lyle and Malcolm continue to try to further deciper the relics.

“You’re enjoying this, aren’t you?” The former teases. “Now that you’ve given up the Nile, you need a new quest.”

And he further tries to lightheardly warn Malcolm away from Miss Poole. “You might proceed with precaution, eh?…Those little dalliances can get so Byzantine.”

“If we can accept the Devil walks amongst us today,” Sir Malcolm later surmises to his group, “we must conclude this is part of an ongoing story.” Foretelling a future, mostly Vanessa’s…

and then the house is invaded by the three witches…

And thus ended this lively episode. In contrast to last week’s darkly atmospheric Nightwalkers, tonight was a fun-romp through London.  From Vanessa’s lighthearted shopping spree with the Doctor to Gray’s date with Angelique, to Ethan figuring out Hecate, yet not figuring out Hecate, there was a large feeling of lighthearted play.
Kudos to the heads of casting. Along with the main cast, all the actors in the supporting roles are performing briliantly.

favorite lines: “Whatever we can imagine, far worse is true.”- Doctor Frankenstein

“No sensible shoes now, Mr. Chandler.”- Hecate

fun little tidbit: Vanessa always eats dessert for breakfast. A gal after my own heart!

Questions:

-Sembene! Sembene! Sembene!

– might Hecate really fall for Ethan?

– and is she tired of being under her mother’s total control?

– why did she claim that she was named after a sea goddess, and not a moon goddess as Vanessa later corrects to Ethan? Surely she had to figure that Ethan might also have known that fact, and have read Macbeth… It seems a rather stupid, unnecessary lie.  Was it only thrown in as plot convenience so our people could quickly come up to speed?

– when will Vanessa meet Cousin Lily?

– Does Angelique have ulterior motives when it comes to Gray? Probably. But I think it would be a nice change if she didn’t…

til next week…

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*Spoilers may follow*

“What is wrong?” Ethan asks of Vanessa after spotting the blood left on the floor from Verbis Diablo


As Vanessa begins to tell her story to him we are brought back to the time in which Mina had gone missing. In order to find out why she is, as she is, Vanessa has traveled to the West Country to speak with the infamous  Cut- Wife (Joan).

nightwalkers vanessa and joan

Unfortunately, her introduction is marred with crass-to-be-crass dialogue, and an overly dramatic performance by Patti Lupone.   As the character kept spitting out venom and turning to Vanessa for a reaction, it brought to mind a teen trying to shock their parents by leaving  The Satanic Bible open on the kitchen table, or making sure they’re caught while acting out scenes from the works of the Marquis de Sade.

Vanessa wasn’t buying it.  Neither did I.

Once Cut Wife stopped jamming her fingers into Vanessa’s forehead and lifting her up from the ground by her crotch, she calmed down enough to allow our gal to come inside her fetish-filled witch hut.

“Who marked you?” She wants to know of the pentacle branded in Joan’s skin.  When the other will not respond, the answer comes to Vanessa, herself.  “Someone you kissed once.  A woman.  A sister?”  “Your sister.” She looks to the witch.  “If I am right, let me stay.”

At that, Joan brings out a tarot deck and orders Vanessa to pick a card.

The Devil.

“When you understand the major arcana, you can hear the echoes of time in your ear,”  Joan explains the next day as they walk through the morning forest. “They’re never always as they seem.”  Words which certainly describe the characters who populate Penny Dreadful.

penny dreadful vanessa and joan

“And what do they mean?”

“You’ll learn.” And she has Vanessa describe her impressions of the Devil Card.

“A dark lover.  Part of yourself, but not.  The whispers of something ghastly and beautiful.”

Later, Joan warns Vanessa she is in danger.

“From what?”

“Legions.” Vanessa is a terrible woman, she insists, and like attracts like. “I felt you every step across the moor. And they felt you, too.”

Nighttime.

As they sit discussing Vanessa’s hopes in saving Mina, Joan feels a stir. She warns the other to stay seated while she takes a look. In a fantastic shot, three witches stand outside underneath the crooked branch of a tree. Behind, the landscape evokes the isolation of Caspar David Friedrich.

Helen McCrory as Evelyn Poole in Penny Dreadful (season 2, episode 3). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_203_2785

Helen McCrory as Evelyn Poole in Penny Dreadful (season 2, episode 3). – Photo: Jonathan Hession/SHOWTIME – Photo ID: PennyDreadful_203_2785

Joan greets one. “Sister.”
“Sister,” Miss Poole replies.

She has come for the Master will not be denied the woman he seeks the most, and warns the Cut-Witch that she can’t protect Vanessa forever. “Your bones are brittle. Do you really want this to be your last battle?”

“It is the only battle,” Joan spits back.

She and her sister once followed the old ways as “daycomers” until the devil tempted Miss Poole with promises of youth, beauty, love, and power. The coven followed her and cast out Joan when she would not join them in their midnight arts.

“You know them,” she now says to Vanessa. “All those midnight things.”

And it is a good thing that Vanessa does indeed know these midnight things, for Miss Poole and her witches will be coming back…

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At the conclusion of the episode, I wasn’t sure how I felt, and still don’t. Some of the dialogue was over-the-top, and some didn’t make any sense character-wise. “They come to me so I can kill their babies.” “You’re here so I can kill your baby, right? Okay. Lie down on the floor.” That’s terminology that someone against abortion would use. Not words a wisewoman or “cut-wife” performing the procedure would.

The mentor/student relationship between Joan and Vanessa came across very stereotypical and contrived.  Of course crusty ol’ Joan allows Vanessa to stay and decides to help her even though she pretty much knows doing so will be the death of her.

The plot was paint by the numbers and quite derivitive.

YET, I loved the mood and atmosphere evoked throughout. The Salem-y bleakness mixed with the lustiness of a Hammer Horror film.

The landscape felt like a character, itself.

Helen McCrory shined in another captivating perfomance. And
her witches beguile even while remaining silent in the background…

While some lines of dialogue were ridiculous, the episode was also filled with some exquisite lines.

With a little bit of help from Shakespeare: “I felt you every step across the moor. They felt you too. They’ll be here soon. I felt you walking to my door. Felt you standing there. By the pricking of my thumbs something wicked this way comes.”

Hopes:

– while this is unlikely, I’d love a flashback episode of Miss Poole and Joan set back in the days when the devil came between them…

Questions:

– How long will it take Vanessa to realize who Miss Poole is?

and how long will it take her to open the Poetry of Death?

– Why does Miss Poole’s master desire Vanessa so much?

Ah! The episode I’ve been waiting for opens with Vanessa penning a letter to Mina. “I write in hope that one day things will be as they once were, though I know that can never be.”

She looks up and as her gaze turns faraway, we are taken back in time to a young Vanessa frolicking on the beach with Mina. The two girls hold hands, both dressed in angelic white, as their ribboned hair flows behind them. “I don’t remember any clouds when we were young. Were there any?” an adult Vanessa wonders as the scene plays out. “Were they on the horizon or was it all seashores and sandcastles? Such thoughts seem naive, but aren’t all memories?”

Later, the two friends are over at Mina’s house where they discuss the kind of men they wish to marry. Mina teases Vanessa that everyone expects her to marry her brother, Peter. The boy looks up and informs them both that he will be joining his and Mina’s father (Sir Malcolm) on his expeditions. That he won’t be spending his life stuffing monkeys and other animals as he is just then. Vanessa goes over to him and insists that he must name everything so they come alive. “Like a witch’s spell.”

Sir Malcolm arrives home and while lavishing much attention on his daughter, and also toward Vanessa whom he obviously also feels fatherly affections for, he offers little affection to his son, except to give him a present. As Peter watches the way his father interacts with the two girls, it leaves little wonder why it is so important for him to become an explorer like his father and join him on his adventures.

sir malcolm and teh girls

Years pass and Vanessa depicts the friendship between the two families, and the many dinners they spent together. Yet, “If I had been older I would have seen more beneath the laughter.”

After one such get-together, Vanessa strolls through a hedge maze upon the Murray’s estate. Certain she is going to come across Mina and her beau, she instead encounters her mother with Sir Malcolm. “More than the forbidden and the sinfulness, there was this…I enjoyed it. Something whispered. I listened.”

vanessa watching her mother
Vanessa runs to her room to pray. “Perhaps it had always been there. This thing, this demon inside me. Or behind my back waiting for me to turn around.” She swivels her head to glimpse her face in the mirror.

Jealous that her best friend is going to be married while Peter rejects her own advances as he is still determined to go away to Africa, she sneaks downstairs and meeting upon Mina’s fiance, comes on to the man, and they are soon all over each other. An almost hypnotized Vanessa (whether her eyes are glazed from sexual delight or from demonic possession or just shock at what she is doing is not quite clear) but she quickly sombers when Mina appears in view.

All goes to hell, and while Mina’s pareents attempt to console her, Vanessa tries to flee. She is stopped by her mohter who insists she goes back upstairs and try to make amends. Vanessa counters that her mother should go upstairs and beg her own husband’s forgiveness. Starteld that her daughter knew about the affair, Mrs Ives lets her daughter go. But Vanessa only runs so far before she falls hopelessly to the ground.

In an asylum, Vanessa suffers horrific “water treatments”, as well as having her hair shorn  before being forced to undergo brain surgery.

vanessa in hospital

Once released, the now almost camatose young woman is being tended to by her mother. Peter comes to say goodbye before leaving.  Vanessa wakes up as he leans over her. “You should have kissed me then. Kiss me now.” After he tenderly does so, she informs him he is going to die in Africa. The disturbed man quickly leaves, perhaps sensing his old friend is correct about his fate.

Once alone again, Vanessa gazes toward her mirror and this time sees the figure she always felt around her. “You are not Sir Malcolm,” she insists although the creature has taken his form. Realizing it is the devil, she tries to rebuke his advances but he assures her that she has always had choices and everything that has happened has been her doing.

“Darkling I listen; and, for many a time / I have been half in love with easeful Death / Call’d him soft names in many a mused rhyme, / To take into the air my quiet breath,” he recites from Keat’s “Ode to a Nightingale”.

Soon the two are enthroed in a passionate embrace.

Hearing noises coming from upstairs, Mrs. Ives hurries up to find her solo daughter, naked and writhering upon the bed, her eyes mad. Unable to take the shock, she dies of a heart attack.

A mournful Vanessa comes across Mina on the same beach they used to play together. Her best friend informs her that she has been forgiven because Mina realizes how much she has suffered.  Mina also goes on to say she is now married to a good man named Mr. Harker. But when she continues on, uttering things she could not possibly know, Vanessa realizes something is terribly wrong. As Mina’s face transforms to that of a vampire, she begs Vanessa to save her from the master.

Mina and Vanessa on beach

Determined to set things right, Vanessa goes to Sir Malcom’s and informs him they must save his daughter.

final thoughts: Definitely my fave episode thus far, and last week’s had already been an improvement. Everything which failed in the Frankenstein flashback, excelled here. Eva Green is always enchanting on the screen, but never moreso than when going feral. The interplay between she and Sir Malcolm, the history of how they have bonded together to save Mina despite the hurt they have caused each other is duly felt and understandable.

favorite line: “He loves you enough to save you. But I love you in a different way. I love you enough to kill you.”