Review: Penny Dreadful ep 6: What Death Can Join Together

Posted: October 27, 2014 in film, gothic, horror, television
Tags: , , , , , , ,

She’s still alive!- was my first thought upon seeing poor Brona in bed, coughing up blood. Luckily the dear is comforted by Chandler who comes and lies beside her. After she apologizes for her behavior the night before, he tells her, “I love you with all my heart.” I sat up at this, not only because I rather like the two as a couple, but because it is so rare to hear an actor express that sentiment so earnestly. Ever since the onset of talkies in which audiences giggled upon hearing their dashing heroes confess their love, screenwriters have been hesitant in its use; and when uttered, is usually downplayed or expressed in a joke-y sorta way. (think Hans and Leila in Star Wars) So kudos to Josh Harnett for going for that line with unapologetic feeling and making me believe.

chandler and brona what death
Now let us move on to Miss Ives, who, while reading tarot, once again hears Mina’s voice. As well as some screams and creepy chomping noises. Off she goes to Sir Malcolm to inform him that the cards have revealed something about a ship.

Meanwhile, Dr. Frankenstein is busy studying the bodies and movements of women for Caliban’s bride. His work is interrupted, however by Van Helsing who asks if he has ever heard of vampires. Once the doc answers in the negative, the good Professor pulls out a Penny Dreadful, and explains that while the author got his facts wrong, his story was still true. There is much more that Van Helsing wants to tell Frankenstein, but their conversation is interrupted by Caliban who in a fit of rage, breaks the former’s neck. How dare his father pause in his endeavors! Caliban will have none of that nonsense. He wants his lady and will kill anyone that Frankenstein cares about or who gets in the way of the work. I lost pretty much any sympathy for this “monster” the other week when he declared his bride must be beautiful despite hating how he is treated because of his own looks. Very different than Mary Shelley’s famous creation, this monster really lives up to his name. Frankly, the hypocritical dude is no different than the plethora of people who walk around believing they have suffered some unique breed of suffering which gives them the allowance to hurt and lash out at others.

helsing and frankenstein

Time to move away from that weasel and back to Brona who gives Chandler her St. Jude medal. The Saint of Lost Causes. I feel rather ghoulish that everytime that woman is on screen I muse on how and when she is going to die. Will she become Caliban’s chosen as I first suspected? That notion seems to be losing steam now that Caliban has eyes on a certain actress. Will she become a victim of The Master? Or, if Chandler is a werewolf, as has been hinted, would he turn her to save her life? There’s certainly much foreshadowing when Sir Malcolm later warns Chandler that once put on opiates to dull the pain, Brona “will cease to be who she is”.

Chandler lets that go for the moment as he, Sembene, and Sir Malcolm board a ship which the latter believes may be the one propheseid. Aboard, they search amongst the corpses and scurrying rats. Losing hope, Sir Malcolm declares that his daughter is not there. Cue several long-haired blonde vampiresses awakening. And once that fight is won, the real Mina, in the arms of The Master, reaches out for her father.

penny dreadful mina

While the men are sweating off vamps, Miss Ives is having her fun with Mr. Gray, and in the midst of orgasm hears a voice informing her that He has been waiting…

final thoughts: utterly fantastic epidode. All the scenes are long enough to possess depth, but none so long that any of the storylines drag. The writing was great, most notably the exchanges between Vanessa and Dorian Gray through the hall of portraits into bed, from their kiss to knifeplay.

There are enough questions to keep the viewer excited to turn the page onto the next ep, yet enough is known that one feels grounded.

– I do find it odd that no one at all is suspicious that Mina’s appeareances to Vanessa might be a ploy. I can understand Sir Malcolm and Vanessa being blind to such a thought, but wouldn’t Chandler and Sembene, from their comfortable emotional distance, at least acknowledge that possibility?

– hopes: Mina Harker is such a cool, strong, resourceful heroine in Stoker’s novel, that I certainly hope that her character is given justice here

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Comments
  1. I like this episode very much. I agree it seems like Van Helsing wanted to share so much things with Frankenstein, but we would never know. The first son of Frankenstein has nerve. It is nice to be love and want to be love. But why must the female be beautiful. Beauty is also inner first. For the son of Frankenstein to be such a smart man who have seen violence, learned the difference of love and hate. He have not learned that love is skin deep. So many things took place in this episode that kept me attention. It was really a good one.

  2. Yeah, he’s totally hypocritical and shallow. And whiney to boot As you can tell, I just can’t stand him! Hope he gets it soon so I don’t have to listen to much more of his self-pitying dribble.

    But ooh, what a great ep. Can’t wait to watch the next one!

  3. I’ve never watched this show, I’m too scared to see what they do with all these great literary characters; I’m not sure if it is worth it.

    • The show definitely takes much creative liberties. In a way, that is fun since you don’t know for certain what to expect the way you would if they were keeping to the source. But if you don’t want the classics played around with, then it defintely wouldn’t be a show for you.

      ‘course, you can always give it a try and see what you think. 🙂

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